SCOTT CHERNEY'S ETC: Your lead character name is Calvin Wheeler. Doesn't Wheeler have some significance?
SCOTT CHERNEY: Why, yes it does. It actually comes from an old Goofy cartoon from the "50s or '60s about road rage, of all things. It wasn't called that back then. Anyway, Goofy was kind of a Jekyll/Hyde character. The nice guy was Mr. Walker who loved babies and kittens and whatever. But once he got behind the wheel he transformed into the monster Mr. Wheeler. Once again, another act of larceny on my part. I remember seeing this cartoon on THE WONDERFUL WORLD OF DISNEY, but I might have also seen it in driver training too, along with, of course, RED ASPHALT.
ETC: You mentioned that Calvin believes he has a great gift to give to the world. What might this great gift be?
SCOTT CHERNEY: Calvin is under the impression that he could very well be the next George Lucas. He has been working on a novel for almost a decade, one that considers has the potential to explode into a major phenomenon with unlimited franchise potential. He's so convinced of its success that he is staking his entire life on it, pretty to the exclusion of everything else.
ETC: Sounds like a "do-or-die" situation.
SC: As a matter of fact, it is, in more ways than one. The book becomes an all-consuming obsession for him. It's a romantic notion to say that...to quote yet another movie because that's what I do...there's a line in a great film witten and directed by John Milius called THE WIND AND THE LION when Sean Connery says "Is there not one thing in your life that is worth losing everything for?" Being a romantic, I understand that. So does Calvin. His "one thing" is his book. But just because it's romantic doesn't make it any less impractical.
ETC: What is the name of this magnum opus in question?
SC: Say what?
ETC: What's this here book he's a'writin'?
SC: It's called ABRACADABRA, a massive, colossal fantasy epic that mashes sword and sorcery together with science fiction and world history into one big ass casserole. ABRACADABRA is an old concept of my very own that goes back to the late 1970s. Just like so many pieces I've worked on over the years, it sat in storage ready to be shit-canned, but I ended up saving it by sticking it into RED ASPHALT when I turned Calvin into a writer. I'm really pleased that I gave
ABRACADABRA one last chance because it ended up taking on a life all of its own. It also ended up being an integral part of the main story.
ETC: How so?
SC: At one point, Calvin says, "Without magic, life is nothing." Later on, he's convinced that there is no real magic, only tricks we play on ourselves. Abracadabra. It's also a better title than PRESTO CHANGE-O.
ETC: Is he right?
SC: There is no right or wrong. It depends on your perspective. I don't want to get into a debate about faith vs logic. Again, I'm a romantic. I think miracles can happen and that's not religious dogma, just goofy optimism, something I tend to balance with bitter cynicism. It makes a nice cocktail, don't you think? On the other hand, Calvin feels duped, especially by himself. When he realizes what his delusions have cost him, he thinks it was all just a trick. There's a big difference between delusions and imagination. Calvin doesn't realize that until it's too late.
ETC: How does a "big ass casserole" taste?
SC: With the right ingredients, not too shabby. If you cook it right, it hardly has a trace of ass.
ETC: It sounds yummy. Is Calvin a good cook?
SC: You mean a good writer? He could be. He has a lot of good ideas, but he's never completed anything, nor has he shown any of his work to anybody. He tells his wife about the book. He even discusses its progress with her. But he's never shown any of it. He wants to wait until until it's finished and it may never be done. ABRACADABRA represents a sanctuary for Calvin. He's safe when he's working on it. Since he's been beginning lose a few marbles, it's always been there for him. Once it's done, he'll have nothing else, nowhere else to go. He'll have to deal with the reality of getting the damn thing published and therefore, out of his control. He wants to succeed, but only on his own terms and it don't work like that. Somebody's going to have to read the damn thing eventually. It keeps it to himself, how will he ever succeed? Does it make ABRACADABRA a book at all? It's that hoary old cliche of the tree that falls in the forest making a sound or not. But that's not even Calvin's biggest problem. Time's a wastin' and he damn well knows it.
ETC: What does that mean?
SC: He's been working on ABRACADABRA for so long that it's starting to fade away from him and he knows that. He hasn't even begun to assemble a workable first draft, opting to just work out the story details first. After seven years, it's getting tired before he's even begun. Time is constant. It doesn't stop for anything. It's certainly not going to wait for Calvin or anyone else for that matter. Time is big theme in RED ASPHALT-the lack of time, time running out, the passage of time, no time, overtime and, like I just said, wasting time. I guess it all boils down to mortality. But with writing, as time zips on past, there's always that possibility that the wonderful idea you have been slaving on for so long will someone else's as well. They may beat you to the punch, even if you came up with that brilliant idea first.
ETC: Explain.
SC: This has happened to me more times than I'd like to admit. My next novel, the one I alluded to earlier, has been my own dream project almost as long as ABRACADABRA was. In that time, I've seen two different things appear on the horizon-one, a movie the other, a TV series. Both derailed my book and forced me to make changes, else it looked like I was ripping them off. Now that some time has past, I feel confident enough to move ahead.
ETC: This is the second time you've made some connection between you and Calvin
SC: For good reason. I based a lot of Calvin on myself. I've been a lab courier just like Calvin. I also taught traffic school. Calvin lives in the same house where I grew up...I take that back. I lived in the house next door. I'm also a writer with many of the same frustrations and conflicts Calvin has had.
ETC: So RED ASPHALT based on a true story?
SC: Sort of. I prefer "inspired by true events". I took a lot from my own life as inspiration, but it's not a biography. It's not supposed to be. It's a work of fiction. A lot of the people and events are true, but not all. Keep in mind that everyone and everything is seen through Calvin's eyes, a very skewed vision of the world to say the least.
ETC: What's the percentage of fact to fiction?
SC: I'd say about 60/40. That's 60 fact-40 fiction.
ETC: What was your reasoning for doing this?
SC: It's the old chestnut of "write what you know". I actually thought it would be easier. Once I jumped into the deep end of Lake Me, it became a lot more difficult. I began to see the real reason that I had for writing this story to begin with-to exorcise a lot of my personal demons. A lot of this book was written out of pain. Back in the early nineties, when I first conceived of this story, I was on quite a rocky road myself. Much of what I wrote came from a dark place that got even darker once I started digging. I ended up not delving into some of my real issues and instead embellished others in their stead. I didn't begin to see the light until about the middle of the second draft, realizing that this form of cheap therapy was actually working. I used to consider acting a form of therapy, but since I had to put that part of my life on the back burner, I needed another outlet or else I was going to end up a babbling baboon for the rest of my born days.
FOR MORE INFO ON RED ASPHALT AND MY OTHER WORKS, VISIT MY WEBSITE:
SCOTT CHERNEY: Calvin is under the impression that he could very well be the next George Lucas. He has been working on a novel for almost a decade, one that considers has the potential to explode into a major phenomenon with unlimited franchise potential. He's so convinced of its success that he is staking his entire life on it, pretty to the exclusion of everything else.
ETC: Sounds like a "do-or-die" situation.
SC: As a matter of fact, it is, in more ways than one. The book becomes an all-consuming obsession for him. It's a romantic notion to say that...to quote yet another movie because that's what I do...there's a line in a great film witten and directed by John Milius called THE WIND AND THE LION when Sean Connery says "Is there not one thing in your life that is worth losing everything for?" Being a romantic, I understand that. So does Calvin. His "one thing" is his book. But just because it's romantic doesn't make it any less impractical.
ETC: What is the name of this magnum opus in question?
SC: Say what?
ETC: What's this here book he's a'writin'?
SC: It's called ABRACADABRA, a massive, colossal fantasy epic that mashes sword and sorcery together with science fiction and world history into one big ass casserole. ABRACADABRA is an old concept of my very own that goes back to the late 1970s. Just like so many pieces I've worked on over the years, it sat in storage ready to be shit-canned, but I ended up saving it by sticking it into RED ASPHALT when I turned Calvin into a writer. I'm really pleased that I gave
ABRACADABRA one last chance because it ended up taking on a life all of its own. It also ended up being an integral part of the main story.
ETC: How so?
SC: At one point, Calvin says, "Without magic, life is nothing." Later on, he's convinced that there is no real magic, only tricks we play on ourselves. Abracadabra. It's also a better title than PRESTO CHANGE-O.
ETC: Is he right?
SC: There is no right or wrong. It depends on your perspective. I don't want to get into a debate about faith vs logic. Again, I'm a romantic. I think miracles can happen and that's not religious dogma, just goofy optimism, something I tend to balance with bitter cynicism. It makes a nice cocktail, don't you think? On the other hand, Calvin feels duped, especially by himself. When he realizes what his delusions have cost him, he thinks it was all just a trick. There's a big difference between delusions and imagination. Calvin doesn't realize that until it's too late.
ETC: How does a "big ass casserole" taste?
SC: With the right ingredients, not too shabby. If you cook it right, it hardly has a trace of ass.
ETC: It sounds yummy. Is Calvin a good cook?
SC: You mean a good writer? He could be. He has a lot of good ideas, but he's never completed anything, nor has he shown any of his work to anybody. He tells his wife about the book. He even discusses its progress with her. But he's never shown any of it. He wants to wait until until it's finished and it may never be done. ABRACADABRA represents a sanctuary for Calvin. He's safe when he's working on it. Since he's been beginning lose a few marbles, it's always been there for him. Once it's done, he'll have nothing else, nowhere else to go. He'll have to deal with the reality of getting the damn thing published and therefore, out of his control. He wants to succeed, but only on his own terms and it don't work like that. Somebody's going to have to read the damn thing eventually. It keeps it to himself, how will he ever succeed? Does it make ABRACADABRA a book at all? It's that hoary old cliche of the tree that falls in the forest making a sound or not. But that's not even Calvin's biggest problem. Time's a wastin' and he damn well knows it.
ETC: What does that mean?
SC: He's been working on ABRACADABRA for so long that it's starting to fade away from him and he knows that. He hasn't even begun to assemble a workable first draft, opting to just work out the story details first. After seven years, it's getting tired before he's even begun. Time is constant. It doesn't stop for anything. It's certainly not going to wait for Calvin or anyone else for that matter. Time is big theme in RED ASPHALT-the lack of time, time running out, the passage of time, no time, overtime and, like I just said, wasting time. I guess it all boils down to mortality. But with writing, as time zips on past, there's always that possibility that the wonderful idea you have been slaving on for so long will someone else's as well. They may beat you to the punch, even if you came up with that brilliant idea first.
ETC: Explain.
SC: This has happened to me more times than I'd like to admit. My next novel, the one I alluded to earlier, has been my own dream project almost as long as ABRACADABRA was. In that time, I've seen two different things appear on the horizon-one, a movie the other, a TV series. Both derailed my book and forced me to make changes, else it looked like I was ripping them off. Now that some time has past, I feel confident enough to move ahead.
ETC: This is the second time you've made some connection between you and Calvin
SC: For good reason. I based a lot of Calvin on myself. I've been a lab courier just like Calvin. I also taught traffic school. Calvin lives in the same house where I grew up...I take that back. I lived in the house next door. I'm also a writer with many of the same frustrations and conflicts Calvin has had.
ETC: So RED ASPHALT based on a true story?
SC: Sort of. I prefer "inspired by true events". I took a lot from my own life as inspiration, but it's not a biography. It's not supposed to be. It's a work of fiction. A lot of the people and events are true, but not all. Keep in mind that everyone and everything is seen through Calvin's eyes, a very skewed vision of the world to say the least.
ETC: What's the percentage of fact to fiction?
SC: I'd say about 60/40. That's 60 fact-40 fiction.
ETC: What was your reasoning for doing this?
SC: It's the old chestnut of "write what you know". I actually thought it would be easier. Once I jumped into the deep end of Lake Me, it became a lot more difficult. I began to see the real reason that I had for writing this story to begin with-to exorcise a lot of my personal demons. A lot of this book was written out of pain. Back in the early nineties, when I first conceived of this story, I was on quite a rocky road myself. Much of what I wrote came from a dark place that got even darker once I started digging. I ended up not delving into some of my real issues and instead embellished others in their stead. I didn't begin to see the light until about the middle of the second draft, realizing that this form of cheap therapy was actually working. I used to consider acting a form of therapy, but since I had to put that part of my life on the back burner, I needed another outlet or else I was going to end up a babbling baboon for the rest of my born days.
ETC: What personality traits do you and Calvin share?
SC: Well, we’re both extremely opinionated and we share a lot of the same views. This was a good way for me to rant and rave about certain subjects-like technology, for example-that have been festering inside out of me with no place to go. Sometimes my writing becomes a forum for me to blow off steam.
ETC: A lot of hot air, you mean.
SC: No, I don’t and you’re a clod. Anyway, Calvin and I are both dreamers, more often than not to the point of total distraction. We also obstinate, morose and painfully insecure, though I don’t think I’m the terminal case that Calvin is in this regard. We both loners, but I’m much more social than he ever has been. Calvin is what I would have been like without the wonderful people I’ve allowed in my life. I’m talking about my friends-and I’ve had great friends in my life-the family I now have…certainly my wife Laurie.
ETC: How else are you and Calvin alike?
SC: We both share this obsession with time. That comes out of insecurity as well. It stems from fear. Fear of running out of time before making one’s mark in the world, which of course is the most futile act in the grand scheme of things. It ‘s tough to look at the big picture. No one wants to be made to feel insignificant. But then again, perception is everything. I guess it depends which end of the telescope you’re looking through.
ETC: Or microscope.
SC: Yep. But you know, I have come to realize that worrying about wasting time is really one big waste of time.
ETC: What other ways do you and Calvin differ?
SC: You mean other than the killings and all? Calvin’s an isolationist, like I said before. That’s not healthy. You have to talk to somebody. All he does is talk to himself. He doesn’t take responsibility for his actions and feels like a martyr. When he feels that the whole world is against him, he takes it out on his telemarketer. Calvin becomes a bully just to make him feel better about himself.
ETC: Why didn’t you describe what Calvin looks like?
SC: I purposelessly left it vague. I preferred to let the reader fill in those gaps. Calvin makes a lot-I mean a lot of disparaging comments about certain characters’ weight or appearance and other than the cold sore he has, Calvin doesn’t talk about his own physical shortcomings. He’s really immaturely shallow in those regards. He's a hypocrite. He hates it when others judge him, yet he feels justified criticizing everybody else. The readers can take their own shots if they wish. But I don’t let Calvin get away with anything. Not one bit.
ETC: Well, there is one other main difference between you and Calvin?
SC: What’s that?
ETC: Unlike Calvin, your book is published.
SC: You’re right. You know what? You’re okay.
ETC: So am I.
SC: Yeah. Huh?
SC: Well, we’re both extremely opinionated and we share a lot of the same views. This was a good way for me to rant and rave about certain subjects-like technology, for example-that have been festering inside out of me with no place to go. Sometimes my writing becomes a forum for me to blow off steam.
ETC: A lot of hot air, you mean.
SC: No, I don’t and you’re a clod. Anyway, Calvin and I are both dreamers, more often than not to the point of total distraction. We also obstinate, morose and painfully insecure, though I don’t think I’m the terminal case that Calvin is in this regard. We both loners, but I’m much more social than he ever has been. Calvin is what I would have been like without the wonderful people I’ve allowed in my life. I’m talking about my friends-and I’ve had great friends in my life-the family I now have…certainly my wife Laurie.
ETC: How else are you and Calvin alike?
SC: We both share this obsession with time. That comes out of insecurity as well. It stems from fear. Fear of running out of time before making one’s mark in the world, which of course is the most futile act in the grand scheme of things. It ‘s tough to look at the big picture. No one wants to be made to feel insignificant. But then again, perception is everything. I guess it depends which end of the telescope you’re looking through.
ETC: Or microscope.
SC: Yep. But you know, I have come to realize that worrying about wasting time is really one big waste of time.
ETC: What other ways do you and Calvin differ?
SC: You mean other than the killings and all? Calvin’s an isolationist, like I said before. That’s not healthy. You have to talk to somebody. All he does is talk to himself. He doesn’t take responsibility for his actions and feels like a martyr. When he feels that the whole world is against him, he takes it out on his telemarketer. Calvin becomes a bully just to make him feel better about himself.
ETC: Why didn’t you describe what Calvin looks like?
SC: I purposelessly left it vague. I preferred to let the reader fill in those gaps. Calvin makes a lot-I mean a lot of disparaging comments about certain characters’ weight or appearance and other than the cold sore he has, Calvin doesn’t talk about his own physical shortcomings. He’s really immaturely shallow in those regards. He's a hypocrite. He hates it when others judge him, yet he feels justified criticizing everybody else. The readers can take their own shots if they wish. But I don’t let Calvin get away with anything. Not one bit.
ETC: Well, there is one other main difference between you and Calvin?
SC: What’s that?
ETC: Unlike Calvin, your book is published.
SC: You’re right. You know what? You’re okay.
ETC: So am I.
SC: Yeah. Huh?
To sum up, Scott Cherney was very forthcoming and accommodating in his interview with Etc. Then again, what else would you expect? He was talking to himself. Since this was first published in the first decade of the 21st century, RED ASPHALT is still out there. So is road rage. Maybe it's not a case study to help understand this affliction, but then again, things are exactly getting any easier out there on the roads, are they? The case of Calvin Wheeler is a cautionary tale well worth your time. Be careful out there, folks...and happy motoring. I hope.
RED ASPHALT BOOK EXCERPT
FOR MORE INFO ON RED ASPHALT AND MY OTHER WORKS, VISIT MY WEBSITE:
